The Age of Enlightenment refers to either the eighteenth century in European philosophy, or the longer period including the seventeenth century and the Age of Reason. It can more narrowly refer to the historical intellectual movement The Enlightenment, which advocated Reason as a means to establishing an authoritative system of aesthetics, ethics, and logic, which, they supposed, would allow human beings to obtain objective truth about the universe. Emboldened by the revolution in physics commenced by Newtonian kinematics, Enlightenment thinkers argued that the same kind of systematic thinking could apply to all forms of human activity.
The intellectual leaders regarded themselves as a courageous elite who would purposely lead the world into progress from a long period of doubtful tradition, irrationality, superstition, and tyranny, which they imputed to the Dark Ages. The movement helped create the intellectual framework for the American and French Revolutions, the Latin American independence movement, and the Polish Constitution of May 3; and led to the rise of classical liberalism and capitalism. It is matched with the high baroque and classical eras in music, and the neo-classical period in the arts; it receives contemporary attention as being one of the central models for many movements in the modern period.
The 18th century brought about the ultiamte refinement in page design and typography, especially embodied in Giambattista Bodoni's work. The beautiful font "Bodoni", named after him is one we use with relish even today.
François-Ambroise Didot
(1730-1804) succeeded his father François, and was appointed printer to the clergy in 1788. All the lovers of fine books highly appreciate the editions known as "D'Artois" (Recueil de romans français, 64 vols.) and "du Dauphin", a collection of French classics in 32 vols., edited by order of Louis XVI. He also published a Bible. He invented a new printing-press, improved type-founding, and was the first to print on vellum paper.About 1780 he adapted the "point" system for sizing typefaces by width. This he established as 1/72nd of a French inch (i.e., this was before the metric system), which was larger than any of the former Imperial inch of the UK or that of the US, let alone the international inch of 25.4 mm. His unit of the point was later named after him as the didot. It became the prevailing system of type measurement throughout continental Europe, its former colonies, and Latin America. In 1973 it was metrically standardized at 0.375 mm for the European Union. The English-speaking world, on the other hand, established the unit called simply the "point," originally to the same proportion of the smaller inches of the various countries.
Giambattista Bodoni
(1740-1813) was an Italian engraver, publisher, printer and typographer of high repute remembered for designing a typeface which is now called Bodoni. Giambattista Bodoni achieved an unprecedented level of technical refinement, allowing him to faithfully reproduce letterforms with very thin "hairlines", standing in sharp contrast to the thicker lines constituting the main stems of the characters. His printing reflected an aesthetic of plain, unadorned style, combined with purity of materials. This style attracted many admirers and imitators, surpassing the popularity of French typographers such as Philippe Grandjean and Pierre Simon Fournier. Bodoni was appointed printer to the court of Parma in 1768. Important folio editions by Bodoni are works by Horace (1791), Vergil (1793), and Homer (1808). The Bodoni Museum, named for the artisan, was opened in Parma in 1963.
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